Review: ๐ŸŽฌ The Killer is slickly shallow with more to show than to say ๐ŸŽฌ

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Director and Writer (Platform): David Fincher and Andrew Kevin Walker – based on the graphic novel of the same name by Alexis ‘Matz’ Nolent and Luc Jacamon (Netflix)

Publisher (Release): Netflix (2023)

Length: 1 hour and 59 minutes

Genres: Adult; Thriller; Action

โ—๏ธDisclaimersโ—๏ธ:

moderate violence and gore

this review contains low-level spoilers

recommendation: vibe check before watching


๐Ÿ‘ Pros ๐Ÿ‘

Fincher’s direction is slick

Fassbender and Swinton turn in fantastic performances

Sound design and action are on point

๐Ÿ‘Ž Cons ๐Ÿ‘Ž

Plot and characterisation is paper-thin

Surprisingly doesn’t have a lot to say despite saying a lot


๐Ÿ‘€ Synopsis & Trailer ๐Ÿ‘€

Stick to the plan…

When a hit goes wrong, a man known only as The Killer is forced to defend his future when he becomes a victim of the cleanup.

๐Ÿงฉ Plots ๐Ÿงฉ

Riveting

Engaging

Enjoyable

Uneven

Boring

๐ŸŽญ Characters ๐ŸŽญ

Alive

Developed

Okay

Inconsistent

Soulless

๐Ÿ’ช Action ๐Ÿ’ช

Frenetic

Punchy

Swings

Misses

ZZZ

๐Ÿ’ญ Final Thoughts ๐Ÿ’ญ

Slickly shot and smartly acted, The Killer is an enjoyable couple hours if you don’t mind style over substance. Fassbender and Swinton turn in stunning performances but can’t quite hold the delicate plot and characterisation long enough for it to say anything on par with how fantastically the film is shot. Sound design helps highlight the hard-hitting action but its slow pace feels at war with the rest of The Killer’s parts.


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